London Band Week

London Band Week An annual programme of music performance events, cultural experiences and social opportunities.

27/08/2026

“I Will Always Love You” and “Jolene” were on the same cassette and written very close together, possibly even on the same day.

Just think about that for a moment. One is a beautifully vulnerable plea to another woman; the other, written as a farewell to her musical partner and mentor Porter Wagoner, became one of the great songs about loving someone enough to let them go.

And they both became No. 1 country hits and global phenomena.

Two completely different songs, both still instantly recognisable more than half a century later. Dolly Parton really was one of the great songwriters. What an extraordinary talent, and what an extraordinary legacy.

Bravo, Cally Jones et al

🦋🦋🦋🦋🦋🦋

26/08/2026

Cadet Shanks = like a boss!

26/08/2026

These cadets! 🙌💪🫡

The amazing cadets from 110 (City of York) Sqn ATC & 2434 Church Fenton Squadron Air Training CorpsNorth Yorkshire day t...
26/08/2026

The amazing cadets from 110 (City of York) Sqn ATC & 2434 Church Fenton Squadron Air Training Corps

North Yorkshire day trippers took London by storm!

26/08/2026

“Find out who you are and do it on purpose.” - Dolly Parton

  👇 👇 👇
21/08/2026

👇 👇 👇

Join us for Alumni Band Day!🍊

Registration closes September 4th.
https://events.blackthorn.io/en/8c2MI7X7/preview/ut-pride-of-the-southland-band-2026-alumni-band-day-5a5eRlCpEOb/overview

As the alumni band continues to grow, this year’s reunion will take place during our SEC matchup versus Auburn on October 3rd.

This reunion will also officially kickoff our campaign to take the Pride to London for London Band Week in the Summer of 2027, where we’ll perform alongside HM Royal Marines Corps of Drums. 🎶

1,000 musicians. Nine ensembles. One day. And rehearsals measured in minutes, not hours.There are easier assignments for...
17/08/2026

1,000 musicians. Nine ensembles. One day. And rehearsals measured in minutes, not hours.

There are easier assignments for a Director of Music.

This summer, Captain Hannah Trudgeon RM, Director of Music of His Majesty’s Royal Marines Band Collingwood, took to the podium as Director of Music for the 2026 London Tattoo.

The London Tattoo is an unusual production. Everything happens in a single day. Nearly 1,000 musicians arrive from different ensembles, different musical traditions and, indeed, different countries. Individual rehearsals take place throughout the day before everyone is brought together for the massed opening and finale. With an audience soon to take their seats, there is no second day, no dress rehearsal and very little opportunity to try something twice.

Rehearsal time isn't measured in hours. It is measured in minutes. That places considerable responsibility upon everyone involved: the band directors, instructors, production staff and, above all, the musicians themselves. Despite months of preparation beforehand, an enormous amount still has to come together on the day.

And somehow, it does. Helping to bring all of that together this year was Hannah.

Calm, assured and seemingly unflappable, she provided the musical leadership that brought an extraordinarily diverse massed cast together, conducting musicians ranging from members of His Majesty's Royal Marines Band Service to American collegiate marching bands, British school, Scout, Guide and community ensembles.

Hannah's own journey makes her particularly well suited to that responsibility. She joined the Royal Marines Band Service in 2002 as a pianist and clarinettist and has since progressed through the ranks from musician to Bandmaster and commissioned officer, alongside postgraduate studies in composition and conducting. Today, she is also one of the relatively few women occupying senior musical leadership roles within British military music.

But perhaps one of our favourite moments came before she conducted a single note in front of the audience.

With the entire Tattoo cast assembled, Hannah spoke to the performers. She recognised the ensembles individually. She reminded the musicians of what they had achieved simply by reaching that moment, encouraged them to take pride in the organisations and communities they represented and, importantly, told them to go out there and enjoy it.

That mattered. Because while the scale of the London Tattoo is impressive, its greatest strength is something rather different: the majority of the people standing on that arena floor are young musicians. And they are not on the sidelines of excellence. They are part of it.

Put professional military musicians alongside students and young people from Britain and the United States; add outstanding band directors and instructors; combine it with energy, commitment and discipline, and something rather special happens. For a couple of hours, distinctions of age, nationality and experience begin to disappear. They become one cast, making one enormous sound.

And when nearly 1,000 musicians struck up together at the 2026 London Tattoo, they were magnificent.

To every musician who learned the music, travelled to London, rehearsed against the clock and stepped onto that arena floor: you made the Tattoo.

And to Captain Hannah Trudgeon: thank you for giving those musicians the leadership, confidence and musical direction that allowed them to show an audience what they could do.

Musical excellence. Quiet authority. Good humour. And 1,000 musicians all heading in the same direction.

Not a bad day's work!

Around about now, Captain Trudgeon and her musicians will be returning to duty after a thoroughly well-earned summer leave. Please join us in wishing Hannah and everyone at His Majesty’s Royal Marines Band Collingwood every success for all that lies ahead, and in thanking them once again for everything they brought to London Band Week this summer.

As part of the LBW Masterclass Series - our student-focused music education programme - Corporal James Clements of His M...
14/08/2026

As part of the LBW Masterclass Series - our student-focused music education programme - Corporal James Clements of His Majesty’s Royal Marines Band Service joined us at ExCeL London to share his technical expertise and offer an insight into the distinctive world of drumming within the Royal Marines Corps of Drums.

James - universally known as “Clemo” - led two practical sessions for musicians from community marching bands. Session One, Drumming: The Basics & Technique, went back to the foundations. Grip, posture, stick control, stroke consistency and the rudiments upon which good drumming is built. These things can sound deceptively simple, but they are the fundamentals that allow a drummer to develop accuracy, control, endurance and, ultimately, musicality. With Clemo demonstrating each element at the professional standard expected within the Royal Marines, participants were not simply told what to do; they could see and hear how it should be done.

Session Two, Drumming: Stick Drill & Effects, built upon those foundations and explored some of the more visual and distinctive elements of military drumming. Stick drill, coordination, control and the techniques and effects that add colour and spectacle to a marching percussion performance. Stick drill in particular is a wonderful combination of musicianship and precision, the visual flourish only really works when the underlying timing, technique and control are rock-solid.

Royal Marines Buglers are among the very finest exponents of their craft, so it was perhaps no surprise that both sessions proved so popular. What made them particularly special, though, wasn’t simply Clemo’s ability to teach by example, breaking down technique, demonstrating how it should look and sound, and then putting it back together at full professional standard, but the way in which he shared his knowledge and brought everyone along with him.

There is a real skill in taking expertise earned over years at the very highest professional level and making it accessible, relevant and enjoyable for community musicians. Clemo did exactly that. No ego, no airs and graces; just enormous enthusiasm for his craft, a natural ability to engage with people, and a genuine desire to help others become better at something he plainly loves doing himself.

Perhaps that passion is part of what makes him so good in the first place. The best professionals never seem to stop being students of their craft and the very best are generous enough to pass some of it on.

“Never meet your heroes”, they say. Nonsense. Clemo was super: an exceptional musician, a natural teacher and, most importantly, a thoroughly good bloke.

Thank you, Clemo!

Address

167–169 Great Portland Street
London
W1W5PF

Alerts

Be the first to know and let us send you an email when London Band Week posts news and promotions. Your email address will not be used for any other purpose, and you can unsubscribe at any time.

Shortcuts

Share

Category