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10/28/2026

Tahyira wants the youth to manager her lol because she says they're the reason she's making art like this.... for the future.... now to get their parents ON BOARD!



We can't pay minors it's illegal but we can have them open their own LLCs and partner with their brands.... there's no age restrictions on entertainment and entrepreneurship but as a minor they need an adult to act as an organizer because they can't sign business contracts or anything really. Hmmmm we're always discovering loopholes. Maybe we can establish a trust and keep their earnings in trust until they're 18 and that money opens their LLC 🤷🏽‍♀️🤑😮‍💨🗣️

10/26/2026

is the bridge between the woman Tahyira Savanna and the artist known as Tee Slaves.

Following Disconnected, a project rooted in raw emotion, personal reflection, and lived experience, 'Connected' represents the space where those experiences begin to transform into art. If 'Disconnected' asks, "How do I survive?" then 'Connected' asks, "What do I do with everything I've survived?"

Originally written between February 2022 and March 2023, the album arrives at a moment when many of its themes have become part of everyday headlines. From conversations about war and democracy to identity, mental health, economic inequality, and the unfinished promise of freedom, 'Connected' reflects a world wrestling with questions that continue to shape daily life.

Across eleven records, Tee Slaves blends observation, storytelling, and social commentary with influences from hip-hop, the Caribbean, Africa, South Asia, and New York City. While 'Disconnected' invited listeners into her personal world, 'Connected' widens the lens, connecting personal experience to history, politics, community, and culture.

The project's rollout includes the singles "Beep Beep Beep," "Rags Up," "We All We Got Left," "Attention Hut," and "ME TOO."

Together, they explore conflict and peace, economic survival, community, Black empowerment, and the shared history of the African diaspora.

Tee Slaves is the musical identity of Tahyira Savanna, a first-generation American whose family roots trace back to Trinidad and Tobago. Her work is shaped by research into her ancestry, her experiences as an educator, journalist, and activist, and the contrast between growing up in Brownsville, Brooklyn, and studying in Brookville, New York.

More than a collection of songs, 'Connected' is the moment where experience becomes expression. It is the link between life and art, documenting an artist who is still discovering her voice while refusing to silence it.

introduced the person.

Connected introduces the artist.

10/26/2026

kindness is the cheat code...

outtakes... Tee Slaves shoots a scene in the FiDi section of

🎬🫶🏽

10/26/2026

as Marshall Mathers 😝🎤💋

10/20/2026

and mainly Lil' Kim 📍🙏🏾😝 - Tee Slaves

10/19/2026

for those she considers gone too soon that she still gets energy from....

Women: **ehouse
Boys:

LIVES FOREVER. Cheers to

10/16/2026

Stream by Tee Slaves

  A powerful share by one of the GREATS Nasir Jones Tee Slaves responds.... a literal mood tho... I saw him at New York ...
10/16/2026

A powerful share by one of the GREATS Nasir Jones

Tee Slaves responds.... a literal mood tho... I saw him at New York Yankees when he did the HipHop 50 concert... I saw Lil Wayne, I saw Ice Cube, I saw Lauryn, I saw TIP... and I realized my generation grow up as the genre grew up.... let's say if Hip Hop was a sports team... we'd be a Knick fan 😝 sorry we had too....

Things have changed but I've discussed nihilism... and that's what Nasir and Jay BEEN saying along with others like Pharrell... Black entrepreneurship is missing....

I love a music history lesson: To sell rap music to a mainstream audience—which is 70% non-Black—the corporate apparatus often demands a extreme, hyper-realistic version of the "street" aesthetic. Labels frequently de-prioritize socially conscious, politically active, or optimistic hip-hop because it is harder to commodify. Instead, they heavily fund and promote music centered on trauma, drug dependency, intra-community violence, and existential hopelessness. The artist's actual real-life peril becomes the marketing campaign.

Where are we forreals: Roughly 70% of the global music industry—including the overwhelming majority of major rap labels (Interscope, Atlantic, Def Jam, Republic)—is controlled by three massive conglomerates: Universal Music Group, Sony Music Entertainment, and Warner Music Group. Top music executives, board members, and CEOs at these major firms are overwhelmingly white and male (often exceeding 85%).

Btw are an ILLUSION... they own the majority stake so it's more like theft or the artist becomes a pawn on a chess board whole time thinking they're the Queen...

Ultimately, corporate-backed nihilism strips hip-hop of its original political utility. In the 1980s and 90s, groups like Public Enemy used aggression to fight structural racism. Under modern white corporate dominance, that aggression is often turned inward—resulting in a highly marketable, fatalistic loop where artists rap about dying young, and major labels make billions off the catalog long after they are gone....

has been sold to the highest bidder.... kinda like slavery....

10/14/2026

Stream released years ago written even longer on the current state of



Growing up as a first-generation American from Trinidad and Tobago in Brooklyn, my family firmly believed that the Democratic Party was the best vehicle to protect working-class immigrants and community rights. During my college and post-college years, I was right there in the stands as a dedicated fan, buying Nicki Minaj’s physical CDs and blasting them in my car. I genuinely believed I was funding an artist who championed the marginalized, the eccentric, and the left-out.

However, watching icons with massive fanbases actively turn against their own communities forced a profound shift in my journey. Instead of waiting for mainstream celebrities to save us, I realized I had to step into the fight myself. My path toward true resistance began on the frontlines when I became a Black Lives Matter activist following the tragic murder of Trayvon Martin and the devastating not guilty verdict of his killer, George Zimmerman. Witnessing that systemic injustice broke something open inside me, driving me to organize, march, and demand structural accountability for Black lives.

As the years went on and mainstream icons began using their massive platforms to promote division on major networks, I realized that grassroots activism needed a direct soundtrack. That realization is exactly what transformed me from a fan in the audience into my own conscious artist: Tee Slaves Tahyira Savanna / Tee Slaves.

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