05/05/2026
Have just completed the fifth, and final libretto (What Is Signed) in the Al-Uzza cycle. A couple of the more harrowing ones were based on true events. What I am sharing with audiences is exploring how systems exist before us—and how we make them real through participation. Each of these librettos has gone off to different opera companies for dramaturgial assessment. Here's hoping for some excellent news🫰Here is a pictorial depiction of the cycle, which may better capture the thesis that I am hoping to stage. So far, I have approached 7 opera companies that work in experimental productions such as these. I am intrigued as to whether any will contact me with development in mind 🎭
