Arbroathicon

Arbroathicon FULL BLOODED THEATRE. Arbroathicon: Great Theatre Out Of The Shadows and Into The Global Spotlight! Bruce Smith is Development Manager and Artistic Director.

Arbroathicon is a $500 million global performing arts village in the initial stages of development in the HIghlands of Scotland. https://www.facebook.com/pages/bruce-smith/5791988822162080

08/20/2018

Professionals who have been privy to my original proposal for a global performing arts village named Aldebaran, to have been located near Traverse City, Michigan, now see
its incarnation in Scotland as an extraordinary cultural bridge
to the EU, in which, it is assumed, Scotland shall remain a dynamically contributive member as it claims its independence post Brexit. Curious? Apply here for a copy of the original proposal.

05/26/2018

Yet another mystery email from Facebook saying someone has questioned something on this page. There is no information as to whom that may be or what is being queried, so I must regard this as bogus until a more straightforward communication is received.

05/13/2018

My associate and I are reviewing sponsorship commitments as we move towards making our final decision regarding Arbroathicon's host location. Of course, in Scotland!

Grand Traverse County, Michigan has proven a very special laboratory environment for developing the essential, workable ...
10/26/2015

Grand Traverse County, Michigan has proven a very special laboratory environment for developing the essential, workable model for Arbroathicon: A Global Performing Arts Center which will find its true home in Scotland, where it is scheduled to open in 2018. One of the abiding faiths of the proposed organization has always been that youth deserves a better apprenticeship than burgerland...a job where the spirit grows along with learned technical skills. Here, young people can learn the essentials of
many in-demand trades as they develop costumes, scenery, sound and lighting systems, computer programs, etc. for universally acclaimed staged productions from around the globe. As we had originally planned to make the global performing arts center a major fixture in the US cultural landscape here in Michigan, we made it our business to observe NW MIchigan's youth at work is such grassroots operations as Walmart, Goodwill, BAM; Northland in Kingsley; Kyle and Josh at All Star Moving and Shane at Charter Spectrum. Were our plans still to build here, we are sure the employees of these firms know which of them we would ask to join us in our great cultural and economic push towards fully articulated relevance in art and work. So, here's a spotlight you can picture yourself in...an employee appreciated, protected by great health insurance plans and paid a truly living wage. You're invited to watch this page for our progress. Who knows, you might find Scotland a destination of great promise one day. If so, come and join us. Til then, Slainte Mhath!

I often say that a writer without a muse is at times crippled in both vision and breadth of expression. Therefore, I was...
08/24/2015

I often say that a writer without a muse is at times crippled in both vision and breadth of expression. Therefore, I was extraordinarily lucky to have met actor/composer Tony Cochrane just as I was beginning to write Reign Shadow, my substantially regarded play about an unexplored aspect of the career of Scotland's great king, Robert the Bruce. The play is one with music and Tony has undertaken to write the score. While I was writing, Tony was touring the Hebrides with the woman who later became his wife. I'd send on acts and scenes as they assumed more or less finished form, so he had text for his music as well as for his feedback, based on his innate, Scottish aptitude for the truth of the thing. As an actor, Tony has worked extensively with the Royal Shakespeare Company and, in the US, with Aquila, the highly regarded dramatic arts group, HQ in NY. Most recently Tony has appeared in Broadway's The Audience with Helen Mirren. Prior to that he was in War Horse at Lincoln Center. He has composed scores for Hamlet, The Odyssey, The Tempest and King Lear. Now, we plan to resume work on Reign Shadow, a play scheduled for the opening ceremonies of Scotland's $500 million performing arts parkland in the Highlands, itself a gift from the world to celebrate Scotland's inevitable independence.

Ever active promoting independence for my father's native Scotland, I recently emailed my play, 'Reign Shadow' (focused ...
05/15/2015

Ever active promoting independence for my father's native Scotland, I recently emailed my play, 'Reign Shadow' (focused on a decisive period in the reign of Robert the Bruce) to First Minister Nicola Sturgeon (pic), the profoundly able individual who is at the helm of Scotland's government as it continues with great determination towards its inevitable and decisive split with the UK.
I was greatly heartened by her reply today:

Rt. Honorable Nicola Sturgeon MSP
First Minister of Scotland

Mr. Bruce Smith
11 May 2015

Dearly Bruce (nicely hand-inscribed),

Thank you for your email enclosing a copy of your play 'Reign Shadow'.

You will appreciate that I have not had the opportunity to read the entire manuscript, however, from what I have seen it looks like an impressive work. Certainly, Robert the Bruce, as Scotland's hero-king, makes for an excellent subject and the concept of the community of the realm has contemporary resonance.

As a political party, the SNP is obviously not in a position to sponsor production. However, you may wish to investigate potential support through Creative Scotland -- the national body that supports the arts, screen and creative industries across all parts of Scotland. (Here supplies complete contact details).

With thanks again for taking the time to get in touch.

Best wishes,

NIcola

Considering the task agenda on Ms Sturgeon's desk, the past weeks especially, including an election which won her SNP 56 seats in the Westminster parliament, one can only be delighted and amazed by the courtesy of her response. There can be no doubt now. Scotland's in!

Our longtime theatre pal and forthcoming chief consultant for our Italian theatre festival of works from 240 BC to the p...
04/27/2015

Our longtime theatre pal and forthcoming chief consultant for our Italian theatre festival of works from 240 BC to the present day, Franco D'Alessandro has his play, Solo Anna (scroll below) in performance at Melbourne's La Dolce Italia festival this week. Lidia Vitale, who stars as Anna Magnani in that play, met with film icon Sophia Loren (honored at the festival) and snapped this selfie with the legend. Read more about it all at:
http://www.italianicious.com.au/news/article/award-winning-play-solo-anna-debuts-in-australia

Born on Christmas Day in my father's hometown ofAberdeen, Scotland, Annie Lennox OBE, has recentlybeen touring here, per...
04/04/2015

Born on Christmas Day in my father's hometown of
Aberdeen, Scotland, Annie Lennox OBE, has recently
been touring here, performing songs from her newest album, Nostalgia. There can be little wonder that Ms Lennox has been proclaimed "the most successful female British artist in UK history," reveling in a spirituality of voice that goes unmatched in putting across a song, to put it simply. After experiencing this Nostalgia concert on PBS just now, the emotions it had wrung from me and my guests were equivalent to hours of Traviata, the performance issuing from a sole, slender, very comely genius of her great art. Certainly, we shall celebrate this inimitable talent at Aldebaran whenever her schedule permits.

An email from the future, sent by a satisfied visitor to Arbroathicon: "You remember that I saw the most dynamic staging...
03/27/2015

An email from the future, sent by a satisfied visitor to Arbroathicon: "You remember that I saw the most dynamic staging of Tennessee Williams's A Streetcar Named Desire I could imagine on Tuesday night. After the curtain, I bought two tickets for the Scottish Ballet's dance version of the play, which I saw tonight. Strong but lyrical dancers are the Scots (pic). The plot was adhered to throughout the dance and I can imagine that Mr. Williams would have loved this poetic tribute to his work. Where possible, Arbroathicon will program alternate art form works to run simultaneously with the primary work itself. It will also commission new works for this protocol.
"There is a beautifully manicured concert lawn here of some 25 acres. But tonight a dance floor for 300 rose from the ground in front of the music pavilion, lighted subtly with low-level stage lights. Carnival lights of the kind that appear in Streetcar were also strung about. A second, buffet-dining floor arose beside this. Local restaurateurs and vintners busily set up their individual service pavilions as a band in the music pavilion began playing New Orleans jazz and, later on, zydeco. Lawn chairs and tables are arranged around the lawn for drinking and dining.
"In one of the buffet lines I met a couple from Paris and one from Florence. We were eager to discuss Arbroathicon and its offerings, so we chose a table where we could sit together. We agreed the Creole food was excellent and enjoyed tasting the wide selection of wines. Soon, the music and the mood made us all want to dance, so we ambled to the dance floor, where about 50 couples were already dancing to the irresistible jazz. To quench inevitable dancers' thirst, three bars had been set up adjacent to the floor.
"There is virtually no pollution here, so the stars in their constellations shone brightly in the night sky. I had just asked my partner if he knew which star was Aldebaran, when I was tapped on the shoulder by a handsome guy with a pronounced Scottish brogue. He pointed to a prominent constellation, saying "That's Ta**us and you'll be knowing that the brightest star up there - the one with the slightest red tone - is Aldebaran itself. It's the right eye of the bull,"
"My astronomer was a principle dancer with the Scottish ballet and he brought the entire company with him onto the floor. How often will I be able to say I danced the night away under a star-strewn sky with members of an international ballet company? I'll be telling this story to my grandchildren, I'm sure.
"So, if you want a brief review of what the creators of Arbroathicon have done here, I have one: Bull's Eye!"

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