01/17/2024
I had the best day with YouTube today. I've been getting so fed up and depressed about the war situations and the royal situations and the various celebrity argie-bargies that you see incessantly touted--then there's all the click bait which is dedicated to coaxing you into wasting your time trying to learn about something that actually never happened.
But today started with a treat sequence of various buskers playing public pianos in train stations and mall food courts, some patron requesting a classical piece, and opera singers or other musicians joining in along with members of the staff and other patrons. This happened mostly in Italy and France but it was really cool. I am not an opera buff but a friend did tell me they are often based on folksongs and stories and myths and I've been a bit more interested since then, and have always had a lot of respect for the amount of training and talent it takes to be able to perform it. As most of you who are Anne McCaffrey fans know, she had aspirations to be an opera singer but her voice wouldn't quite make it, which was a theme among more than one of her heroines. So I enjoyed watching all those people enjoy the music.
Then at the end of the day, suddenly a special appeared on my screen while I was waiting for something else. It was about the wonderful Scottish folk singer/song writer/musician/storyteller/teacher Hamish Henderson. I would say he was a Scottish Pete Seeger (complete with having been blacklisted by the BBC instead of the committee for unAmerican activities) but actually Pete was a fan of Hamish's. Anyway, I first heard of him because my old Victory Music friend Rob Folsom used to sing Hamish's song Farewell, Ye Banks of Sicily about some of the experiences of Scottish troops in Sicily.
When I attended the Dundee Folk Festival on one of the breaks I took in writing with Anne, Hamish Henderson was one of the guests, along with my friends in Stravaig (Hi, Jeannie!) and Dougie MacClean among others. So I had to say hi and tell him how moving I found his song. Ended up spending the afternoon sitting in the lobby visiting with him as he told me about collecting ballads with the Lomaxes and a bit of the history of the song. At one point a woman came up and said, "Hamish, can I bring you a sandwich?" and he gestured toward me and said, "what about her? Maybe she'd like a sandwich too?" which I thought was really egalitarian of him--and according to this special that was certainly how he was. But turns out he was also one of the founders of the Edinburgh Fringe Festival and the School for Scottish Studies and a professor at the University of Edinburgh. He also had hung out a lot with Scottish Travellers and had some family connections among them and learnd many of their songs and stories.
But the thing that tickled me the most was learning that because he was multi-lingual, including Italian and German, they put him in British Intelligence behind the lines to interrogate German POW's. Turns out he ended up getting not just name, rank and serial number but lots of versions of Lily Marlena and other German folk songs his new informants shared with him, not under duress but because it was mutually enjoyable...
Anyway, I am so glad I got to meet him and now got to know a bit more about him. He was quite old by the time I met him, very arthritic and blind and a young man sort of guided him around when he was to talk or perform, so I'm so glad I had that opportunity.