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R&R Productions

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Peoria, AZ
R&R Productions

Since 2013, R&R Productions is a trusted name in the media industry, providing top-notch services across the LA and OC areas.

Our comprehensive offerings span production, postproduction, and live-streaming, catering to a diverse range of client needs. Production packages are custom made to accommodate budget demands.

10/31/2026

Your drone is only as good as its last checkup.

Last week our Mavic 2 battery swelled and split open mid-flight. A thirty-dollar part left unchecked becomes a two-thousand-dollar rebuild, so we run the same preventive maintenance checklist on every job:

1. Inspect every battery before and after flight. Swelling, excess heat, or a loose fit means that battery is retired, no exceptions.
2. Check props and motors every time. Nicks, cracks, or grit in a motor are crash warnings, not cosmetic issues.
3. Calibrate and update on a schedule. Compass, IMU, and firmware get checked before shoot day, never on set.

We fly this checklist because a broadcast-ready production cannot afford a dead bird over the field.

Need aerials in the OC/LA area? R&R Productions handles drone coverage for events, real estate, and productions. Message this Page with DRONE and tell us about your project.

For the operators out there: what is the one pre-flight check you never skip?

Save this for your next pre-flight.

10/24/2026

Anyone can point a phone at a rink and call it a livestream. Making it feel like a broadcast is a different job entirely.

This is how we run a roller hockey broadcast: Sony broadcast cameras on fluid tripods, every angle called live from the control station, and a TD and crew who know the game well enough to be on the play before it happens.

That is the difference between streaming a game and broadcasting one. A stream shows you what happened. A broadcast makes the grandparent three states away feel like they have a front-row seat.

We bring this same setup to podcasts, corporate shows, and live events across LA and OC. If your next event deserves more than a shaky feed, save this post and DM us LIVE. We will talk through what your production needs.

Event organizers and coaches: what has gone wrong on a livestream you have run or watched? Drop it in the comments, chances are we have seen it and fixed it.

10/22/2026

Three reasons high school games deserve more than a shaky phone video.

We have spent many years covering action sports, and the camera taught us something: nobody in the building is thinking about the broadcast. The kid is thinking about the shift. The parents are thinking about the moment. The coach is thinking about the season.

But years from now, the only thing left of that night is the film. The feeling fades. The tape does not.

That is why we cover these games the way we do. A properly shot game gives every athlete real highlights for recruiters, not just the stars. It puts grandparents, deployed parents, and family across the country in the stands, live, on senior night. And it turns one night into program history long after the yearbook fades.

If your program's games are still living on shaky phone videos, let's fix that. Drop a comment or send us a message, and let's talk about covering your season.

Know a coach or AD who needs to see this? Tag them below.

10/22/2026

Four things that separate a real podcast from a recorded Zoom call.

Your room is your studio. You do not need a rented space, you need good light, clean sound, and a room that looks intentional. Two or three camera angles, cut live, keep eyes on the screen. Every mic on its own channel, levels riding live, so no voice ever gets buried. And when you switch the show as it happens, you walk out with a finished episode.

That is how we run the Rooted and Rising livestream out of a client's office.

Thinking about launching a show, or leveling up the one you have? Drop a comment or send us a message, let's talk about what your production could look like.

And if you know someone who needs to launch a podcast, tag them below.

10/17/2026

Ever wonder what the director is actually doing during a live show? It comes down to three disciplines, run by the calmest voice in the loudest building.

CALL: the next shot is called before the current one ends. The show always lives two shots ahead.
LISTEN: every channel stays open, cameras, audio, floor. The director hears a problem before the audience ever could.

CUT: one voice makes the call, no committee. Hesitation is the only thing live will not forgive.
That headset is the difference between a broadcast and a broadcast that feels inevitable.
Save this for your next live event.

If you want a crew that sweats the details, send us a message and let's talk about your event.

What is the hardest part of running live for you, the tech or the timing?

Drop it in the comments below ⬇️

10/15/2026

Most training videos never get finished. They get 12 minutes in and the team tunes out.

Not because the content is bad, because nobody produced it. A training video is a production, same as a broadcast. It needs scripting that holds attention, cameras that make people look like pros, and an edit that respects the viewer.

Here is our formula:

SCRIPTED like content, written for retention. If the words do not hold attention, nothing else matters.

SHOT like broadcast, multi-cam and clean. Your team deserves to look as sharp as they are.

CUT like a story, paced for humans. Information lands better when it moves like a story.

Training videos that elevate your team.

Save this for your next training project. The original post is on Instagram: https://www.instagram.com/p/DeStyTvD1Tb/

Now the real question for everyone who manages a team: what is the longest a training video can be before your people check out? Drop your number in the comments.

10/14/2026

Your livestream loses half its audience before the action even starts. ⏱️

Retention is not built during the show, it is built in the first 10 seconds. Here is how we break it down on every production we run.

THE COLD OPEN: start on the moment, not the logo. Energy first, branding second. Your viewer should feel something before they ever see a lower third.

THE AUDIO HANDSHAKE: clean, full sound in the first 3 seconds tells the brain this is professional, and the thumb stays put. Bad audio in the opening reads as amateur, no matter how good the picture looks.

THE PROMISE: your opening frame should promise what is coming. A wide shot of an empty stage promises nothing.

Viewers decide with their thumb. Give them a reason to keep it still.

Event organizers and stream teams: which of these three is the weakest part of your current opening, the cold open, the audio, or the promise? Drop it in the comments.

Save this for your next live event.

10/08/2026

The best camera ops aren't reacting. They're predicting. 📷

A great op reads the game two passes ahead: the winger's hips turn before the shot, the crowd leans before the roar, the coach stands before the timeout. The frame is already moving when the moment happens, which is why it looks effortless on your screen.

Framing the moment before it happens is a skill. It is also the difference between coverage and storytelling.

Save this post for your next live event. Running one? Send us a message with the word LIVE and let's talk production.

What's the hardest live moment you've ever had to catch on camera?

10/06/2026

One room. Three cameras. Zero excuses.

Today we turned a client's conference room into a full broadcast studio for The Rooted and Rising podcast. Three cameras, live switched. Broadcast audio, mixed in real time. The room watching the finished show come off the floor.

This is what R&R Productions brings to your event, your podcast, your brand.

Thinking about launching a show, or leveling up the one you have? Drop a comment or send us a message, let's talk about what your production could look like.

And if you know someone who needs to launch a podcast, tag them below.⬇️

10/03/2026

Raw rink audio sounds like a washing machine full of pucks. 🔊

Here is the part most broadcasts get wrong: they treat game audio as an afterthought, something to fix in post. Your audience hears the problem before they ever notice the picture. Clean game audio is built in three stages.

CAPTURE: rink mics for skates and contact, a dedicated crowd pair, nothing staged. You cannot fix what you never captured.

CLEANUP: kill the hum, tame the echo, duck the PA. What you remove matters most.

MIX: skates up, whistle controlled, crowd breathing under the call.

Do this right and your audience feels the game instead of watching it from a distance.

Event organizers and stream teams: what is the one audio problem that keeps showing up on your broadcasts? Drop it in the comments.

Save this for your next live event.

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16083 N 75th Ave
Peoria, AZ
85382

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