The Global Cello

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The Global Cello Concert/Recital series by Jon Silpayamanant featuring the cello and diverse cello works, in global music contexts, in the Kentuckiana region and beyond.

Also resources for global string tradition and repertoire. What if Johann Sebastian Bach, rather than his brother, Johann Jacob Bach, had lived in the Ottoman Empire? What would the Cello Suites have sounded like had Bach written them in Classical Ottoman style? Come hear a speculative aural journey into the Ottoman Fasıl and find the similarities between Baroque Suites as movements from the respective cultures are played back to back highlighting the dance origins of the two cultures' multi-movement musical forms. We're in an era where understanding between cultures is needed, and one way to do that is through music. What better way than by celebrating through musical masterpieces from both the West and the Near East?

10/19/2026

'It’s wild to be involved with a relatively new technique on instruments with centuries of tradition. It’s a real honour'

As the chop technique turns 60, Rita Fernandes tracks its evolution and the recent development of its notation in interviews with leading practitioners - as well as learning the technique herself. Link in comments 🎻

10/16/2026
10/06/2026
10/03/2026

Last Thursday I had the opportunity to share these wonderful works with Doug Elmore's period 6 & 7 FCHS Orchestra classes!

Rogelio Tagell - "Preludio" from Second Spanish Suite (1941)
Reena Esmail - Varsha वर्षा (2019)
Kian Soltani - Persian Fire Dance (2017)

More about the Global Cello project here: https://www.silpayamanant.com/projects/global-cello/

https://www.ficksmusic.com/products/tagell-suite-espagnole-no-2-salabert
https://www.reenaesmail.com/catalog/varsha/
https://www.kiansoltani.com/sheet-music-store/persian-fire-dance

09/22/2026

How did a European instrument become part of China's musical identity? Violinist Xin Jin charts more than three centuries of the violin's development in Chinese culture, from its arrival with Western missionaries to the flourishing repertoire of today. Link in comments 🎻

09/22/2026

ONLINE EVENT

Sunday 4 October 2026 · 17:00-17:45

FREE to Members - The second series of BCS OnLine proposes a two-year exploration of the art of fi*****ng our way around the cello, from the Baroque period to the contemporary.
Our literature is full of challenges, our fingerboard long and our leaps considerable.
What makes some fi*****ngs work better than others, do principles of fi*****ng exist, and for whom and why?
From learning the rules to breaking the rules, join us for a stimulating look into this journey along four strings.

The Society thanks Eric Edberg for his generous assistance with this series. His technical expertise is much valued.

Classical and improvising cellist Eric Edberg is Cassel Grubb University Professor of Music Emeritus at DePauw University in Indiana (USA). He is principal cellist of the Lafayette and Anderson Symphony orchestras in Indiana, and has a large private studio.

Part I: Introduction
With Selma Gokcen and Josh Salter
Selma and Josh introduce some basic principles of navigation across four strings. We will explore what to do, a bit of what not to do and the reasons for both. Exercises, excerpts and some filmed extracts will be shared.
Finally, we will look at the concept of artistic fi*****ng—fi*****ng in the service of phrasing.

BOOK TICKETS: https://www.britishcellos.org/book/

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New Albany, IN
47150

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