06/26/2026
FEATURED PERFORMER
Folkfaces Fest & The Big Easy in Buffalo are thrilled to present the amazing Cedric Watson
Four-time Grammy-nominated fiddler, singer, accordionist, and songwriter Cedric Watson has emerged as
one of the leading ambassadors of Cajun, Creole, and Zydeco music. Originally from San Felipe, Texas,
Watson discovered Louisiana French music as a teenager and quickly became immersed in the
language, culture, and traditions of South Louisiana. His passion and dedication led him to perform
throughout the world and collaborate with some of the genre’s most respected artists and ensembles,
including the Pine Leaf Boys, Corey Ledet, Les Amis Creole, and his own acclaimed group, Bijou Creole.
With Bijou Creole, Watson draws from a vast musical heritage, weaving together Creole melodies, Cajun
dance tunes, Zydeco grooves, and the enduring influences of African, French, Spanish, and Native
American traditions. His performances honor the deep cultural exchanges that shaped Louisiana’s unique
musical landscape while bringing a fresh, contemporary voice to the music.
Known for his remarkable versatility and seemingly endless repertoire, Watson moves effortlessly
between traditional Creole songs, rare fiddle tunes, classic Zydeco, and original compositions. A prolific
songwriter, he crafts much of his music on his signature double-row accordion, creating songs that reflect
both personal experience and the rich cultural legacy of his ancestry. His work is informed by a deep
interest in the interconnected roots of Louisiana culture and the communities that shaped it.
Whether performing at an intimate concert hall or an international festival, Cedric Watson delivers music
that is at once soulful, danceable, and deeply expressive. His recordings and live performances capture
the spirit of a living tradition—honoring the past while pushing it confidently into the future.
“We don’t want to forget that one of the biggest contributions to our culture, music and heritage was made
by the Native Americans. I find that the old Zydeco rhythms sound like a mix of African and Native
American ceremonial rhythms. This mélange very possibly came about through the intermingling of the
Native American population and the Maroons.
“
— Cedric Watson