09/04/2026
NEW INTERVIEW đ¤ As Christian Räthâs new production of Meyerbeerâs Le prophète opens at Fisher Center at Bard, he talks to us about his approach to the work and to directing.
âPieces like Le prophète were hugely popular in their time, but theyâve disappeared into no-manâs-land. To bring them back, you have to find a point of view. For me, the most important thing at the start is always the question: what is important about this piece today? How can we create a relationship between todayâs audience and a work that has been forgotten? What makes it relevant? You hope the music is great (which it is in this case) but the most crucial thing is to tell a story in a way that is both meaningful and entertaining.â
âSome people still enjoy a good old-fashioned opera performance and thereâs nothing wrong with that, but in general, directors, designers, performers, creatives â weâre all excited to present something that is new and (hopefully) thrilling to the public. I donât think we have to push this, because it will happen when people have creative potential and all the talent, tools and skills to make a great performance. Sometimes things can be very simple and âhomemadeâ and still be touching, so I donât think that itâs only a question of technology. Itâs about thinking outside the box and trying your best.â
Read the full interview: https://maestroarts.com/articles/a-point-of-view