03/05/2026
VLF XXI: Hubo’t Hubad unwraps the human soul with 12 ‘virgin’ scripts
The Virgin Labfest (VLF) officially comes of age in its 21st edition, stripping down all pretense of innocence while showcasing the bold Filipino voice and spirit. As it nurtures emerging and established playwrights, directors, actors, and designers, it revels in the artistic and creative desires expressed through fearless storytelling.
Guided by the theme Hubo’t Hubad, this year’s VLF reflects on the many ways people reveal themselves. It invites audiences to engage with works that expose layers of identity, memory, and vulnerability.
Offering a deeper understanding of the human experience, the country’s theater festival of untried, untested, and unstaged one-act plays returns with 12 “virgin” scripts this June 3 to 28, 2026, at the Tanghalang Ignacio Gimenez (CCP Black Box Theater).
Unrestrained tales of
the human experience
Featuring new works by eight “virgin” playwrights and four returning playwrights, VLF XXI: HUBO’T HUBAD elaborates on the unbridled truths of humanity’s essence after blooming into a passionate community of untold narratives over the last two decades.
Anthony Kim Vergara’s PASSWORD123, PILIPINAS321 centers on Blackteam, an underground cyberspace operation disguised as a technical support center. With his cousin leading the team’s troubling methods, the lead character questions his chosen path as a cybersecurity expert and as a Filipino.
A reporter is about to receive an international award in HUMAN RIGHTS STORY OF THE YEAR by Elijah Felice Rosales. At her farewell party, a former colleague declares she does not deserve the recognition.
PATAYIN ANG MGA SUROT by Floyd Scott Tiogangco occurs on the last night of Rodrigo Duterte’s presidency. While an Oplan Tokhang operation unfolds, tension builds as a couple conducts their own extermination of bedbugs.
A wounded fighter stumbles into a small Marawi hospital in Neil Arkhe Azcuna’s BALOS. Because of his arrival, four medical workers must decide between staying silent to save lives and speaking up to risk everyone’s refuge.
In Alab Usman’s HARAM, three q***r Muslims struggle to manage faith and love across borders and barriers.
A former nun turned Philosophy professor and Gab Mactal’s LUALHATI meet again. Their memories of faith and romance emerge on the last night of the wake held at the Our Lady of the Gate of Dawn convent.
Dustin Celestino’s ELEHIYA is an impressionistic montage of conversations of fathers and sons that could have taken place but did not.
A former womanizer meets the love of his life in SHE’S ELECTRIC by Ron Evangelista. However, his friends make a discovery that leads to an insightful discussion on the sexual and philosophical nature of relationships.
Faith Ferrer Lacanlale’s BETAMAX follows a woman who begins to see “human pigs” after a minor road accident. As she ascends to madness, the darkness surrounding her family is brought to light.
A grieving family turns back time with a virtual archive of memories in FOOTPRINT by Jerom Canlas. While they scramble to make sense of a tragedy, their unspoken feelings inflict a much harsher truth.
Set in Tarlac, two strangers uncover an unexpected connection by exchanging tales of love and disappointment within the walls of a rage booth in John Lapus’ TAKSYAPO!.
Gerald Manuel’s BUHAGHAG follows a young lady who is haunted by a long-haired enigma that corners her into choosing between self-preservation and self-destruction.
In addition to the new plays, VLF XXI: HUBO’T HUBAD revisits three stories from last year’s edition: Ade Valenzona’s POLAR COORDINATES, Rolin Cadallo Obina’s THE LATE MR. REAL, and Siege Malvar’s PRESIDENTIAL SUITE #2.
Valenzona’s POLAR COORDINATES follows a confused student after he fails his Math exam. With the fate of his fragile family and strange feelings for his tutor piling on, he struggles to carve his own path.
Obina’s THE LATE MR. REAL takes place in an isolation facility during the Covid-19 pandemic. With a wall separating them, an estranged couple reexamines the clashing views that led to their marriage’s failure.
A senator is accused of money laundering in Malvar’s PRESIDENTIAL SUITE #2. While she recovers from a heart attack, her children rally for the best course of action to salvage their reputations.
Peeling off innocence
and refining raw talent
True to its core of celebrating both budding and veteran playwrights, VLF XXI: HUBO’T HUBAD continues to nourish its garden of talent through its educational components: Staged Readings, Writing Fellowship Program and Showcase, Theater Talks, and Playwrights’ Fair.
Script submissions from VLF XXI come to life through stripped-down reading performances in Staged Readings. Jose Victor Torres’ MGA TATSULOK, M. Manalastas’ THE DEVOURED, Dingdong Novenario’s MANANG, Rafael Jimenez’s SUOR, Juan Ekis’ KASAL(ANAN), and Jay Fernandez’s ANG HULI take the stage.
The VLF Writing Fellowship Program, a two-week mentorship on dramatic writing for the stage headed by award-winning playwright Glenn Sevilla Mas, culminates in a thrilling showcase. The Taiwan International Play Reading Festival (TIPR) will also hold a special staged reading of Ihot Sinlay Cihek’s HOW ROMANTIC: A GUIDE TO MODERN PANGCAH LIFE, alongside the National Art Centre’s PRISON DANCER.
A forum series on the creative processes behind theater, Theater Talks will feature TIPR with speaker Cheng-Han Wu. Jin Yim and Cui Yin Mok of the Asian Producers’ Platform share their insights, together with Shizuoka Performing Arts Center’s Takuya Maehara.
Meanwhile, VLF founder and Palanca awardee Rody Vera, Liza Magtoto, and Glenn Sevilla Mas host the Playwrights’ Fair, peeking into the minds of veteran playwrights. Guest speakers Tanya Lopez, Dessa Quesada-Palm, and Sari Saysay explore the essence of Visayan theater, herstories, and settings in the nation’s current artistic landscape.
Uncovering new narratives charged with immense thirst for artistry, VLFXXI: HUBO’T HUBAD shows are scheduled at 2 p.m. matinee and 8 p.m. gala, while its educational components are slated at 5 p.m. from June 3 to 28, 2026. Tickets are priced at Php800 (regular) and Php1000 (premium), available for purchase at the CCP Box Office and Ticket World.
For more updates on the festival schedule and ticket-selling, visit the official pages of VLF, CCP, Tanghalang Pilipino Foundation Inc., and Writers’ Bloc across Facebook, X, Instagram, and TikTok.
