SONIK Philippines

19/04/2026

The final stretch is here! 🎶

Don’t leave your All Of The Noise Sunday to chance.

Whether you're there for the industry insights at The Astbury or the wall of sound at Sari-Sari, make sure you've got the schedule locked in.

See you and don't miss a beat!

Last minute tickets here ➡️ allofthenoise2026.helixpay.ph

Don’t miss the full Day 3 - April 19 (Sunday) schedule of All Of The Noise 2026! Plan your day ahead!

Afternoon talks and documentaries: The Astbury, Makati City
Evening live music: Sari-Sari, Makati City

🎟️ Get tickets now: allofthenoise2026.helixpay.ph

- Walk-ins are welcome. Ticket prices are higher on the day (and subject to venue capacity). Payment via cash or Gcash only).
- Those who purchased tickets online must bring a valid ID for verification.
- This event serves alcohol. Bring a valid ID to purchase (18+ only).
- Minors aged 3-16 are allowed ONLY with an accompanying adult/guardian. They are considered as paying audience.
- Children below 3 years old are NOT allowed.
- Bags bigger than A4 size are not allowed. There are no lockers in the venue.

Co-presented by: ONErpm, Symphonic Distribution, CITEM, CREATEPhilippines, The Orchard, Guevarra’s, and Jack Daniel’s

Official Music Partner: Spotify
Other partners: Nyou Consultancy, Gabi Na Naman Productions, FlipMusic, JB Music, Cheke, and Love One Another Sound Production

18/04/2026

🎶 ALL OF THE NOISE 2026 — Day 2 is HERE!

It's Saturday, April 18, and the full schedule is ready for you!

Map out your day and make the most of it.

📍 123 Block, Mandaluyong
🎵 Live music all day long + Music Market
🎟️ Grab your tickets: allofthenoise2026.helixpay.ph

See you there!

Check out the full Day 2 - April 18 (Saturday) schedule of All Of The Noise 2026! Plan your day ahead!

Live music (all day) + music market: 123 Block, Mandaluyong

🎟️ Get tickets now: allofthenoise2026.helixpay.ph

- Walk-ins are welcome. Ticket prices are higher on the day (and subject to venue capacity). Payment via cash or Gcash only).
- Those who purchased tickets online must bring a valid ID for verification.
- This event serves alcohol. Bring a valid ID to purchase (18+ only).
- Minors aged 3-16 are allowed ONLY with an accompanying adult/guardian. They are considered as paying audience.
- Children below 3 years old are NOT allowed.
- Bags bigger than A4 size are not allowed. There are no lockers in the venue.

Co-presented by: ONErpm, Symphonic Distribution, CITEM, CREATEPhilippines, The Orchard, Guevarra’s, and Jack Daniel’s

Official Music Partner: Spotify
Other partners: Nyou Consultancy, Gabi Na Naman Productions, FlipMusic, JB Music, Cheke, and Love One Another Sound Production

17/04/2026

It’s time to SAVE THE DATE!

We’re back and louder than ever. 🚀🇵🇭🔥

SONIK Philippines 2026 returns to continue building pathways for Filipino music on the global stage through exchange, collaboration, and cross-border industry connections.

This is music export in practice.
This is cultural exchange in motion.
This is the community operating in bigger, international rooms.

📅 September 11–12

Two days dedicated to conversations, showcases, and the ecosystems pushing music forward.

More details coming soon. Stay locked in!

Powered by and

17/04/2026

🎟️ Haven't grabbed your tickets yet? No worries! ALL OF THE NOISE 2026 is welcoming walk-ins!

Our friends at The Rest Is Noise PH are opening the doors, so you can still catch all the action across three days of live music, documentary screenings, and music culture discussions.

Here's what you need to know:
📅 April 17 (Day 1) — PHP 600
Music discussions + live show
📍 The Astbury + Sari-Sari, Makati

📅 April 18 (Day 2) — PHP 900
Live show
📍 123 Block, Mandaluyong

📅 April 19 (Day 3) — PHP 600
Music discussions, documentary screenings + live show
📍 The Astbury + Sari-Sari, Makati

Don't sleep on this one, see you there! 🎶

Didn’t get your tickets yet?

No worries! WALK-INS ARE WELCOME at ALL OF THE NOISE 2026!

You can still catch everything, just drop by to these dates:

April 17 (Day 1) – PHP 600:
Access to music discussions + live show (no separate tickets)�📍 The Astbury + Sari-Sari, Makati

April 18 (Day 2) – PHP 900: �Live show�📍 123 Block, Mandaluyong

April 19 (Day 3) – PHP 600: �Access to music discussions, documentary screenings + live show (no separate tickets)�📍 The Astbury + Sari-Sari, Makati

Experience live music, music documentary screenings, and music culture discussions.

Co-presented by: ONErpm, Symphonic Distribution, CITEM, CREATEPhilippines, The Orchard, Guevarra's, and Jack Daniel's

Official Music Partner: Spotify
Other partners: Nyou Consultancy, Gabi Na Naman Productions, Flipmusic Records, JB Music, Love One Another Sound Production, CHEKE

Media Partners: Manila Concert Scene, MYX, Esquire Philippines, Clavel Media, PURVEYR, WhenInManila, Philippine Concerts, Able Asia, Manila Bulletin Spotlight Features, Klasik Media, The Beat Asia, Interaksyon, LionhearTV, Together Manila, Manila Trend Tracker

Community Partners: Ateneo Musicians’ Pool, ATM Productions, Come Socialize, The Flying Lugaw, Funky Beat Entertainment, Eleve8 Me L8r, Ateneo's Music Industry, UP Music Circle, CHEDDAR Productions, Shoplifters United, WEIRD.KIDS.

17/03/2026

Artist readiness vs market readiness - what's the difference?

Both matter for music export, but they're not the same thing.

Artist readiness is internal:
- Do you have the right team in place?
- Is your music professionally produced and positioned?
- Are you business literate and contract ready?
- Can you delivery consistently at an international standard?

Market readiness is external:
- Is there demandf or your sound in that region?
- Do you have the right connections and partnerships?
- Does the timing align with cultural or industry trends?
- Is the infrastructure there to support your entry?

You can be great artists and still not be ready for a specific market. And a market can be ready for Filipino music, but not yet ready for YOUR music.

Export requires both. Understanding the difference is where strategy begins.

12/03/2026

What is music export?

It's a question we get often and one worth revisiting.

Music export isn't just about sending artists overseas. It's about building the structure that allows music to move sustainably across borders.

That means:
- Understanding how the global music industry operates
- Building teams that can navigate international markets
- Developing business literacy alongside artistry
- Creating partnerships that extend beyond single events

A strong market generates attention. A strong ecosystem generates collaboration.

This is foundational to everything SONIK does and why education is at the center of our work.

03/03/2026

Interested in playing in Scotland? PITCH Scotland is officially looking for the next wave of talent for their 2026 showcase, and this could be your bridge to the global stage. 🇵🇭✈️🏴󠁧󠁢󠁳󠁣󠁴󠁿

If you’re a Filipino artist ready to bring your sound to the world, this is your moment. We’re looking for bold performers to head to Glasgow this September for the 5th edition of Scotland’s leading convention for hip-hop and underground culture.

📅 The Details:
- Deadline to apply: March 29
- How to apply: Visit pitchscotland.com

Tag a fellow artist who is ready for the international stage. Let’s bring the Pinoy sound to Glasgow! 🔥

Artist showcase applications for PITCH 2026 are officially live.

We’re looking for artists ready to take the stage in Glasgow this September and be part of our 5th edition performing at Drygate and McChuills.

Selected artists receive a paid showcase slot, full conference access, and opportunities to connect.

🗓 Deadline: 29 March
🔗 Apply now via the link in our bio or pitchscotland.com

We can’t wait to hear what you’ve been working on!

26/02/2026

One of the biggest takeaways from SXSW Sydney: inclusion is built into the ecosystem.

Indigenous music is platformed as part of the national narrative, not as a side program. Accessibility isn't an afterthought.

The Philippines has the depth, culture, and history to lead in this space.

The question is whether we choose to invest in it internationally.

24/02/2026

Representing the Philippines at SXSW Sydney with the support of Sounds Australia was about more than attendance.

It was about a structure exchange.

The Philippines is now one of the fastest-growing markets for Australian music, and Southeast Asia is increasingly seen as a strategic growth region.

If we're serious about global positioning, we have to move from casual interaction to coordinated ecosystem partnerships.

19/02/2026

A strong music market isn't automatically a strong music ecosystem.

So what makes the difference?
- Education and business literacy
- Clear artist positioning
- Structured partnerships
- Follow-through beyond the event

Ecosystems aren't built through visibility alone. They're built through clarity and coordination.

This is where export work really happens.