22/10/2024
FILMAKER INTERVIEW
We loved interviewing about their creative process and EDIFF entry SENSIBLE!
1. What is your name, age and where do you make your work?
My name is Axel Chemin, I'm 27. I live in the Paris suburbs, in Colombes.
2. What inspired you to start filmmaking? And this film in particular?
Good question! Looking back, I think I started making movies to try and find answers to the questions I have about society, inequalities or the room we give to technology in our lives. And from there, I started thinking about what could be missing in terms of images and representation. The more I make movies, the more I feel like it’s a necessity to widen the scope of horizons of spectators, in terms of aesthetics and politics.
This film started off as a collaborative project I had with the choreographer Lohan Jacquet, with whom I had worked on my final year film (when I was studying at La Femis higher education film school), which was a science fiction movie. We had created a world where cellphones had ceased to exist and where you just had to gesture in the air without touching anything to interact with anything digital. Lohan came back to me, asking me if I wanted to work on that project which was to be a visual capture of a show. We decided to take the project one step further and make it an arts film.
3. What inspired the beautiful text?
The text comes from the writings of Yves Klein. He was an artist who wrote about his practice and his philosophy. I read all his writings and made a collage to create a text that is equivocal, highly poetic and ultimately quite personal.
4. How did the end result differ from what you set out to express/create?
It's a film that wasn't written before it was shot. We had some ideas for shots, but we assumed that the writing would be done during the editing. I studied to become an editor, so I wasn't afraid of that. In terms of the initial idea, nothing really differs from the ideas we had set ourselves.
Stay tuned for part 2!