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e” explores how technology, once heralded for its emancipatory potential, has been coopted for profit, along with our digital identities. The Cybopticon functions as an agency that employs artists and members of the public to manufacture performances in the form of virtual actions! Part-office, part- peep show, the installation utilizes computer screens as two-way mirrors which reveal the banal and exploitative parallels between the modern gig economy, artistic labour, and sex work. As automation replaces traditional forms of labor, menial labor is increasingly virtual, made invisible, and outsourced to economically disenfranchised, non-Western workers. When information is product and attention is currency, virtual bodies exist as content factories manufacturing everything from clickbait to intimacy. Blurring the lines between contract workers providing services and artists performing artwork, the Cybopticon is an endless loop of production and consumption that mirrors our desires at any cost.
