Cinema Reborn

Cinema Reborn Cinema Reborn is a festival focused on screen heritage and preservation Festival

The hottest ticket at the Cineteca di Bologna ...Dick Prowse is rolling in his grave at the thought of all those childre...
23/06/2026

The hottest ticket at the Cineteca di Bologna ...Dick Prowse is rolling in his grave at the thought of all those children watching this movie...

We'll be posting all sorts of stuff for the next week. Keep checking back...
20/06/2026

We'll be posting all sorts of stuff for the next week. Keep checking back...

Fists in the Pocket Il Cinema Ritrovato gets underway on a Saturday afternoon. That's after a bit of show business involving the festival's ...

Andrew Pike of Ronin Films has launched a crowd funding initiative to raise money for the restoration of Solrun Hoaas’s ...
19/06/2026

Andrew Pike of Ronin Films has launched a crowd funding initiative to raise money for the restoration of Solrun Hoaas’s first and only dramatic feature AYA. The link to the Australian Cultural Fund site can be found at the end of this text.

Solrun was a good friend of a number of the people involved in the annual presentation of Cinema Reborn and we are very happy to draw attention to Andrew’s initiative. AYA was well-received at a number of international film festivals and it has drawn praise from Amree Hewitt writing about the film in Filmnews on its debut in 1991 and re- published in a Senses of Cinema dossier in 2010 following Solrun’s untimely death in December 2009.

“Aya (1990), the debut feature for writer/director Solrun Hoaas, is a richly textured portrait of a young Japanese woman (played by Eri Ishida) in the Australia of the fifties and sixties. Constructed around a series of vignettes from her life (spanning two decades and starting with Aya newly arrived and recently married), the film – which follows her, her husband Frank (Nicholas Eadie), and ex-army member of the Australian forces deployed in postwar Japan and their mutual friend Mac (Chris Haywood) – is an engaging, complex exploration of personal strength and cultural differences.”

AYA is a fine film which warrants restoration and one hopes that this crowd funding plan will allow the film to find new and appreciative audiences.

https://artists.australianculturalfund.org.au/s/project/a2EMn00000hTMnZ

Cinema Reborn screened Tsui Hark's PEKING OPERA BLUES to much excitement. Now it's screening at Il Cinema Ritrovato at t...
18/06/2026

Cinema Reborn screened Tsui Hark's PEKING OPERA BLUES to much excitement. Now it's screening at Il Cinema Ritrovato at the Cineteca di Bologna. The link has some interesting info about the film and its place in Chinese film-making

‘Peking Opera Blues’: Restoration is a matter of precision and scale festival uncovered [Post published on 17/06/2026] A Return to Splendor Among the masterpieces featured in the “Recovered and Restored” section of the festival’s 40th edition is Do Ma Daan (Peking Opera Blues), directed by...

A  tribute to Iranian master Abbas Kiarostami. A special screening of The Traveller by our friends at the Persian Film F...
18/06/2026

A tribute to Iranian master Abbas Kiarostami. A special screening of The Traveller by our friends at the Persian Film Festival Australia.

This July marks ten years since the passing of Abbas Kiarostami, one of the most important filmmakers of the twentieth century and a towering figure in world cinema.

To mark the anniversary, Persian Film Festival Australia, in partnership with UNSW School of Arts and Media, invite you to a tribute screening of his debut feature, THE TRAVELLER (1974).

This screening is presented as part of CineCircle program, PFFA’s special screening initiative.

Tickets

Author and critic Tom Ryan has a new Substack blog. Various levels of subscription
11/06/2026

Author and critic Tom Ryan has a new Substack blog. Various levels of subscription

A review of Paul Fischer's new book about Francis Ford Coppola, George Lucas, Steven Spielberg and "the battle for the soul of American cinema".

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Randwick, NSW

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