Synapse Publication

Synapse Publication SYNAPSE PUBLICATION—Connecting. Moving.

𝑵𝒊𝒈𝒉𝒕𝒎𝒂𝒓𝒆 𝑵𝒂𝒓𝒓𝒂𝒕𝒊𝒗𝒆𝒔 | 𝐃𝐈𝐖𝐀𝐓𝐀 My grandmother always says the forest had its own kind of silence—not the hush before rain...
04/11/2026

𝑵𝒊𝒈𝒉𝒕𝒎𝒂𝒓𝒆 𝑵𝒂𝒓𝒓𝒂𝒕𝒊𝒗𝒆𝒔 | 𝐃𝐈𝐖𝐀𝐓𝐀

My grandmother always says the forest had its own kind of silence—not the hush before rain, but something older. Something that listened.

"Never take anything from them without asking permission", she warned. There were things in this world that did not belong to us simply because our hands could reach them.

When my brother began slipping from the world, I let her warning fall silent.

Beyond the river stood a balete tree, its roots knotted like the fingers of something buried alive. The elders said a diwata watched over the forest. At dusk, I went to the tree and begged for my brother's life. I offered everything, though I had nothing worth giving.

By morning, his fever had broken.

My mother called it a miracle. The village called it a bargain.

Then the spring began to recede.

Fish floated belly-up in the shallows, leaves curled brown against their branches, and birds abandoned their nests. The elders whispered that the diwata was collecting her due.

They spoke as though the forest had suddenly become cruel.

Along the trail to the balete, I found freshly cut stumps. The markings on the fallen timber belonged to my father, who sold wood at the market. Farther ahead, a broken irrigation channel diverted what remained of the stream towards plantations owned by the wealthiest families.

The forest had been dying long before I prayed.

We had cut its trees, stolen its water, and called the destruction progress. We ignored our grandmothers' warnings and remembered only the monster.

At the balete, I found a woman standing beneath its branches. The earth around her feet was damp, though the ground beyond had cracked.

"Did you save my brother?" I asked.

She looked towards the village.

"Did you ask me to save the forest?"

I wanted an answer, a price, something I could understand. Instead, she touched one exposed root.

Somewhere beneath the earth, water stirred.

That night, rain fell.

The spring filled, and the villagers gave thanks. My father stopped cutting timber, but only for a time. By the next dry season, the axes returned. No one spoke of the broken channel. No one wanted to remember what laid beneath the earth when the rain came.

My brother began wandering towards the river. He said someone was calling him from beneath the water. Sometimes, he stood by the window long after sunset, listening to something I could not hear.

I told him it was the wind.

I did not tell my mother.

One afternoon, he left while the rice was cooking.

We searched until dusk. Beside the spring lay his slippers, dark with mud. His footprints led towards the balete and disappeared among its roots.

There were none leading home.

My mother kept his slippers beside the door, turning them towards the road each evening, as though grief could be given directions.

The villagers blamed the diwata. My father said nothing.

I returned to the tree carrying a bowl of rice. The roots had grown over the place where I knelt that first evening. I searched the shadows for the woman, though I could no longer remember her face.

Perhaps I had seen her. Perhaps grief had given shape to the silence.

I set down the offering and waited.

Nothing came.

On my way home, I passed the spring. Water slipped over stones that had once lain bare beneath the sun.

At our door, my brother's slippers still faced the road.

My grandmother said the forest had its own kind of silence. I understand now that she was not warning me about what lived among the trees.

She was warning me about what could be lost.

She had never told me what to do when it was too late to ask permission.

Written by 𝐂𝐡𝐫𝐢𝐬𝐭𝐢𝐚𝐧 𝐑. 𝐂𝐫𝐮𝐳
Illustration by 𝐉𝐚𝐧 𝐋𝐨𝐫𝐫𝐞𝐧𝐜𝐞 𝐂. 𝐀𝐛𝐝𝐮𝐥𝐥𝐚, Synapse Publication

𝑵𝒊𝒈𝒉𝒕𝒎𝒂𝒓𝒆 𝑵𝒂𝒓𝒓𝒂𝒕𝒊𝒗𝒆𝒔 | 𝐓𝐇𝐄 𝐖𝐎𝐌𝐀𝐍 𝐈𝐍 𝐖𝐇𝐈𝐓𝐄 Some stories are told to frighten children. Others are whispered because those...
03/11/2026

𝑵𝒊𝒈𝒉𝒕𝒎𝒂𝒓𝒆 𝑵𝒂𝒓𝒓𝒂𝒕𝒊𝒗𝒆𝒔 | 𝐓𝐇𝐄 𝐖𝐎𝐌𝐀𝐍 𝐈𝐍 𝐖𝐇𝐈𝐓𝐄

Some stories are told to frighten children. Others are whispered because those who witness them are never quite the same afterwards.

In our neighbourhood, people often shared stories about spirits that appeared without warning. Some dismissed them as superstition; Others avoided speaking of them altogether. I used to believe ghost stories were nothing more than the products of imagination.

Then strange things began.

It started with the sound of sand striking our windows. Three sharp taps would break the silence, but whenever we looked outside, no one was there. Sometimes, an unfamiliar smell drifted through the house, lingering for a few moments before disappearing. We searched for reasonable explanations, but found none.

Then came the birthday celebration at our neighbour's house.

The place was filled with laughter, music, and cheerful conversations. Children ran between the guests while adults gathered around the food. Everything seemed ordinary until the lights flickered and the front door slowly swung open.

A woman dressed entirely in white entered the house.

Her long black hair concealed most of her face. In her arms, she carried a small bundle wrapped in pale cloth. She moved silently through the crowd, seemingly unaware of the guests staring at her.

For a moment, nobody spoke.

Then someone screamed.

Panic swept through the room. Some guests rushed towards the exit, while others stood frozen in place. The woman continued walking until she reached the birthday cake. There, she stopped, holding the bundle tightly against her chest.

The music died.

That same unfamiliar smell filled the room, stronger than before.

Everyone hurried outside. When a few guests finally gathered the courage to return, the woman had vanished. The doors and windows were still closed.

Beside the birthday cake lay a small patch of sand.

Later, I heard about a woman who had once lived in our neighbourhood. She had suffered from a serious illness and eventually died. After her death, people began reporting sightings of a woman dressed in white, wandering through the streets at unusual hours. Some claimed they had seen her even in broad daylight.

I told myself they were only rumours.

A few nights later, three sharp taps sounded against our window.

I froze.

Through the glass, I saw a woman standing just a few steps from our house. She wore a long white dress, and her black hair covered most of her face.

I called for my family. But by the time they reached the window, she was gone.

Then the smell returned.

We stayed inside, afraid to move, until the tapping came again.

Three sharp sounds.

This time, nobody dared to look.

The following morning, we found sand scattered across the ground outside our window. There were no clear footprints, no sign of anyone approaching the house, and no explanation for how the sand had appeared.

We cleaned it away and tried to carry on as usual.

But that night, just before midnight, I woke to the sound of something brushing against the window.

I stayed beneath my blanket, listening.

One tap.

Two.

Three.

Then came a faint rustling, as though someone were shifting a bundle from one arm to the other.

I wanted to call for my family, but the words were caught in my throat.

A moment later, the sound stopped.

I waited until morning before gathering the courage to approach the window. Outside, the ground was bare.

But on the inside of the glass, just above the windowsill, lay a thin line of sand.

Even now, whenever I hear three sharp sounds against a window, I remember the woman in white. I still wonder why she keeps appearing, and what she carries beneath that pale cloth.

Sometimes, I wonder whether she is still standing outside, waiting for someone to see her.

And sometimes, I wonder how long she has been trying to get in.

Written by 𝐒𝐡𝐚𝐢𝐫𝐚 𝐀. 𝐈𝐠𝐚𝐬𝐚𝐧
Illustration by 𝐍𝐮𝐡𝐫𝐢𝐲𝐚 𝐒. 𝐒𝐚𝐥𝐦𝐚𝐧, Synapse Publication

𝑵𝒊𝒈𝒉𝒕𝒎𝒂𝒓𝒆 𝑵𝒂𝒓𝒓𝒂𝒕𝒊𝒗𝒆𝒔 | 𝐓𝐇𝐄 𝐓𝐇𝐈𝐍𝐆𝐒 𝐋𝐎𝐕𝐄 𝐂𝐀𝐍𝐍𝐎𝐓 𝐁𝐔𝐑𝐘 "I do love you, though. I just can't."The first time Elias kissed me,...
03/11/2026

𝑵𝒊𝒈𝒉𝒕𝒎𝒂𝒓𝒆 𝑵𝒂𝒓𝒓𝒂𝒕𝒊𝒗𝒆𝒔 | 𝐓𝐇𝐄 𝐓𝐇𝐈𝐍𝐆𝐒 𝐋𝐎𝐕𝐄 𝐂𝐀𝐍𝐍𝐎𝐓 𝐁𝐔𝐑𝐘

"I do love you, though. I just can't."

The first time Elias kissed me, he tasted of rain.

The second time, he tasted of salt.

By the third, I had stopped asking why his lips were always cold.

He came to me every night at eleven, when the village had quieted and the dogs had begun barking at things I could never see. He would sit beneath my window and hum the old songs my mother used to sing before she died. When I cried, he held me. When I spoke about the future, he listened as though he intended to be part of it.

I fell in love with him the way flowers turn towards sunlight—without knowing I was slowly dying.

There were rules, of course.

Elias never entered our house. He never ate anything I offered him. And no matter how desperately I begged, he never stayed until morning.

"Why?" I asked him one night, my fingers tangled in his.

He looked at me with eyes so full of sorrow that I almost wished he would lie.

"Because you deserve to see me in the light."

"Then let me."

He shook his head.

"Not yet."

I should have known that love was not supposed to sound like a warning.

The truth came from an old woman who lived beyond the chapel. When I described Elias, she crossed herself, then asked me whether I had ever heard him breathe.

I had not.

She told me stories of the aswang, of things that wore familiar faces and wandered after dark. I laughed at first. Then I remembered the dogs, the cold kisses, the way Elias never cast a shadow beneath the moon.

That night, I waited for him with a knife hidden beneath my pillow.

When he arrived, I asked him the question I had been afraid to ask since the beginning.

"What are you?"

For a long time, he said nothing.

Then he took my hand and pressed it against his chest.

There was no heartbeat.

I tried to pull away. He let me.

"I never wanted you to know," he whispered.

"Were any of it real?"

His face crumpled. And somehow, that frightened me more than his silence.

"Every word. Every night. Every time I wanted to touch you and made myself stop." He swallowed, though I could not understand why. "I have loved you longer than you can imagine."

"Then stay."

"I can't."

"Why not?"

His eyes shone in the darkness.

"Because sometimes, when I am near you, I forget what I am. I forget that there is something inside me that wakes when the night grows old. And I am afraid that one day, I will look at you and see something other than the woman I love."

I began to cry. He reached for me, then stopped himself.

"I do love you, though," he said. "I just can't."

For the first time, I understood that he had never been afraid of me discovering his secret.

He had been afraid of what would happen if I asked him to stay.

I wanted to hate him. I wanted to call him a monster and run to the chapel and never look back. But I remembered every song he had hummed, every tear he had wiped away, every lonely night he had made bearable.

I loved him.

God help me, I loved him.

So I did the only thing I could think of. I opened the window wider and asked him to come inside.

Elias stepped back as if I had struck him.

"No."

"Please."

"No," he repeated, and this time his voice broke. "You don't understand what you're asking."

"Then make me understand!"

He looked towards the eastern horizon. The darkness was beginning to thin.

"I have spent every night learning how to love you without hurting you," he said. "Please don't make me learn how to live with having to hurt you."

Then he kissed my forehead.

It was the warmest I had ever felt him.

And when the first bird sang, Elias was gone.

I never saw him again.

Sometimes, when the dogs begin to bark at eleven, I sit beside my window and listen. I tell myself that grief can make a person hear anything. I tell myself that love does not turn into hunger, that a monster cannot mourn, that the dead cannot miss the living.

But last night, I woke to find my window open.

On the sill lay a single sampaguita flower, fresh and white, though nothing in our garden had bloomed for months.

And beneath it, written in soil, were four words.

I still stayed away.

Written by 𝐙𝐚𝐲𝐝𝐚 𝐀. 𝐌𝐨𝐡𝐚𝐦𝐦𝐚𝐝 𝐑𝐚𝐳𝐚
Illustration by 𝐕𝐞𝐧𝐢𝐞𝐳𝐚 𝐀. 𝐇𝐚𝐧, Synapse Publication

Multo sa likod, multo sa chat, multo ng nakaraan… Brentonians, hindi lahat ng nagpaparamdam ay kailangang balikan. May e...
02/11/2026

Multo sa likod, multo sa chat, multo ng nakaraan… Brentonians, hindi lahat ng nagpaparamdam ay kailangang balikan. May exams na dapat paghandaan at lessons na dapat tandaan!

Good luck on your Final Examinations, Brentonian!

Publication Material by 𝐆𝐞𝐧𝐧𝐲 𝐌𝐚𝐲 𝐇. 𝐂𝐨𝐫𝐭𝐚𝐝𝐨, Synapse Publication

𝐌𝐎𝐑𝐄 𝐓𝐇𝐀𝐍 𝐌𝐎𝐍𝐒𝐓𝐄𝐑𝐒The Stories We Tell in the DarkA Halloween Literary Feature | Nightmare NarrativesThere are stories we...
02/11/2026

𝐌𝐎𝐑𝐄 𝐓𝐇𝐀𝐍 𝐌𝐎𝐍𝐒𝐓𝐄𝐑𝐒

The Stories We Tell in the Dark

A Halloween Literary Feature | Nightmare Narratives

There are stories we hear only after the sun goes down.

Stories whispered by grandparents, warnings repeated by parents, and tales passed between children daring one another to look into the dark. We hear creatures that wander where they should not, figures that appear without warning, and voices we are told never to answer. For many of us, these stories are among our earliest encounters with fear.

In Filipino folklore, the fright takes many forms. There are the aswang, the manananggal, the tikbalang, and countless other beings whose stories vary across communities. Some warn of the dangers of the night, while others preserve beliefs, memories, and traditions passed down through generations.

But perhaps the most interesting thing about these creatures is not what they look like, but what they represent.

A monster lurking in the dark may give shape to dangers we cannot explain. A warning against wandering too far may reflect a community's understanding of safety and responsibility. Yet folklore is never one-dimensional. Its meaning differ depending on the people who tell these stories and the traditions that shape them.

And monsters do not always have to be supernatural.

Cruelty does not always come with claws. Prejudice does not always wear a frightening face. Greed, betrayal, and obsession can hide behind seemingly ordinary people. Sometimes, those who are treated as monsters are simply those whom others have failed to understand.

Perhaps this is why these stories continue to haunt us. Even as the world changes, the fears beneath them remain familiar: being misunderstood, abandoned, betrayed, or confronted with something we cannot explain.

This is the heart of Nightmare Narratives and its theme: Many Faces of Fear. Through different voices and interpretations, the project explores how folklore intersects with human experience. Each story offers a different perspective on what frightens us, what we misunderstood, and what may be hiding beneath the surface.

There is no single way to be afraid, just as there is no single story that speaks for every community or every person.

So, this Halloween, we invite you to look beyond the shadows and listen more closely to the stories we have inherited. They hold more than fright; they carry fragments of our histories, beliefs, and the truths we are still learning to face.

Because perhaps the most haunting question is not whether monsters exist.

It is this:

When we look into the dark, what are we really afraid of seeing?

Different faces. Different fears. One haunting truth.

Written by 𝐙𝐚𝐲𝐝𝐚 𝐀. 𝐌𝐨𝐡𝐚𝐦𝐦𝐚𝐝 𝐑𝐚𝐳𝐚
Publication Material by 𝐂𝐡𝐚𝐫𝐦 𝐋𝐨𝐯𝐞𝐥𝐲 𝐏𝐫𝐢𝐧𝐜𝐞𝐬𝐬 𝐌. 𝐑𝐞𝐛𝐨𝐥𝐥𝐨𝐬 and 𝐍𝐮𝐫 𝐒𝐡𝐚𝐩𝐢𝐤𝐚 𝐍. 𝐋𝐚𝐧𝐠𝐩𝐚𝐝, Synapse Publication

𝐀𝐥𝐥 𝐒𝐨𝐮𝐥𝐬' 𝐃𝐚𝐲Observed every November 2, remembering and praying for the souls of the departed. Rooted in the belief tha...
02/11/2026

𝐀𝐥𝐥 𝐒𝐨𝐮𝐥𝐬' 𝐃𝐚𝐲

Observed every November 2, remembering and praying for the souls of the departed. Rooted in the belief that prayers can help souls undergoing purification, the observance encourages the faithful to offer prayers, attend Mass, and visit cemeteries in remembrance of their loved ones. The day serves as a meaningful expression of faith, love, and hope in eternal life, keeping the memories of those who have passed on alive in the hearts of the living.

Publication Material by 𝐇𝐚𝐧𝐧𝐚𝐡 𝐒𝐚𝐫𝐚𝐡 𝐉𝐚𝐧𝐞 𝐇. 𝐈𝐲𝐚𝐧𝐠, Synapse Publication

𝐀𝐥𝐥 𝐒𝐚𝐢𝐧𝐭𝐬' 𝐃𝐚𝐲Observed every November 1. A solemn occasion in the catholic church dedicated to honoring all saints, who...
31/10/2026

𝐀𝐥𝐥 𝐒𝐚𝐢𝐧𝐭𝐬' 𝐃𝐚𝐲

Observed every November 1. A solemn occasion in the catholic church dedicated to honoring all saints, who have attained eternal life with God. Serves as a reminder of faith, devotion, and holiness. The day also encourages the faithful to reflect on the lives of the saints and remember the spiritual significance of living a life guided by faith, love, and compassion.

Publication Material by 𝐍𝐚𝐦𝐫𝐚 𝐉. 𝐒𝐚𝐛𝐝𝐚𝐧𝐢, Synapse Publication

𝑭𝒆𝒂𝒕𝒖𝒓𝒆 | 𝐁𝐇𝐂𝐈 𝐂𝐨𝐥𝐥𝐞𝐠𝐞 𝐨𝐟 𝐌𝐢𝐝𝐰𝐢𝐟𝐞𝐫𝐲 𝐂𝐨𝐧𝐜𝐥𝐮𝐝𝐞𝐬 𝐀𝐧𝐧𝐮𝐚𝐥 𝐄𝐯𝐞𝐧𝐭 𝐖𝐢𝐭𝐡 𝐀𝐰𝐚𝐫𝐝𝐢𝐧𝐠 𝐚𝐧𝐝 𝐓𝐮𝐫𝐧-𝐎𝐯𝐞𝐫 𝐋𝐞𝐚𝐝𝐞𝐫𝐬𝐡𝐢𝐩The Midwifery Departmen...
31/10/2026

𝑭𝒆𝒂𝒕𝒖𝒓𝒆 | 𝐁𝐇𝐂𝐈 𝐂𝐨𝐥𝐥𝐞𝐠𝐞 𝐨𝐟 𝐌𝐢𝐝𝐰𝐢𝐟𝐞𝐫𝐲 𝐂𝐨𝐧𝐜𝐥𝐮𝐝𝐞𝐬 𝐀𝐧𝐧𝐮𝐚𝐥 𝐄𝐯𝐞𝐧𝐭 𝐖𝐢𝐭𝐡 𝐀𝐰𝐚𝐫𝐝𝐢𝐧𝐠 𝐚𝐧𝐝 𝐓𝐮𝐫𝐧-𝐎𝐯𝐞𝐫 𝐋𝐞𝐚𝐝𝐞𝐫𝐬𝐡𝐢𝐩

The Midwifery Department hosted Midwifery Night 2026 at Grand Astoria Hotel, on October 23 to celebrate student achievements, hand-over student leadership, and recognize outstanding performers. Dressed in Arabian attire in line with the event's theme, midwifery students, faculty, and school officials from Brent Hospital and Colleges Incorporated gathered for the occasion, hosted by Mr. Dion Francis F. Loquellano III.

The formal ceremonies featured an invocation by Rev. Roda S. Sagwil, an opening remarks from Midwifery Student Association Vice President Noemi P. Tingson, an address by the guest speaker Ma. Concepcion F. Columbres, RM, MN, LPT, and the official transfer of duties from former Midwifery Student Association Officer Catherine D. Ramos to newly elected President Mary Jane J. Ventusa.

Throughout the celebration, Level 4 Raging Falcons and Level 3 Verdant Archers emerged as the primary winners across the Day 1 and Day 2 competitive activities. Certificates and awards were presented to recognize the winning year levels—including Level 1 Flaming Flamingos and Level 2 Cerulean Lynx—for their outstanding participation in the various events.

The event concluded with class presentations, the Midwife Melodies music video competition, and the selection of special titleholders, including "Star of the Night," "Best in Arabian Attire", and "Darling of the Crowd". The evening highlighted student participation as the department welcomed its new officers for the upcoming academic year.

Written by 𝐂𝐡𝐫𝐢𝐬𝐭𝐢𝐚𝐧 𝐍𝐨𝐞𝐥 𝐌. 𝐃𝐞𝐥𝐚 𝐏𝐞ñ𝐚
Photos by 𝐆𝐡𝐚𝐢𝐝𝐚 𝐉. 𝐒𝐚𝐥𝐢
Publication Material by 𝐁𝐫𝐲𝐚𝐧 𝐋. 𝐆𝐮𝐚𝐧𝐳𝐨𝐧, Synapse Publication

𝑵𝒆𝒘𝒔 | 𝐁𝐇𝐂𝐈 𝐂𝐨𝐥𝐥𝐞𝐠𝐞 𝐨𝐟 𝐌𝐢𝐝𝐰𝐢𝐟𝐞𝐫𝐲 𝐌𝐚𝐫𝐤𝐬 𝐓𝐡𝐫𝐞𝐞-𝐃𝐚𝐲 𝐖𝐞𝐞𝐤 𝐂𝐞𝐥𝐞𝐛𝐫𝐚𝐭𝐢𝐨𝐧 The College of Midwifery of Brent Hospital and College...
31/10/2026

𝑵𝒆𝒘𝒔 | 𝐁𝐇𝐂𝐈 𝐂𝐨𝐥𝐥𝐞𝐠𝐞 𝐨𝐟 𝐌𝐢𝐝𝐰𝐢𝐟𝐞𝐫𝐲 𝐌𝐚𝐫𝐤𝐬 𝐓𝐡𝐫𝐞𝐞-𝐃𝐚𝐲 𝐖𝐞𝐞𝐤 𝐂𝐞𝐥𝐞𝐛𝐫𝐚𝐭𝐢𝐨𝐧

The College of Midwifery of Brent Hospital and Colleges Incorporated held its Annual Midwifery Week from October 21 to 23, 2026, under the theme of Guardians of the Forest, featuring religious, academic, and recreational activities that brought together midwifery students under four competing teams, Flaming Flamingos, Cerulean Lynx, Verdant Archers, and Raging Falcons.

The celebration opened with a Thanksgiving Service at Holy Trinity Episcopal Church, led by Rev. Roda S. Sagwil, BHCI chaplain. The opening ceremony then followed at the BHCI Multi-Purpose Covered Court, formally launching the week’s activities.

The celebration also featured Muse Exposure, where representatives from each team presented their respective performances, with Raging Falcons emerging as the winner. Other activities included Zumba session, Bible Quiz Bee, parlor games, and volleyball competitions held at designated campus venues.

The three-day event concluded with students showcasing their participation and teamwork through the various activities held throughout Midwifery Week.

Written by 𝐆𝐞𝐧𝐧𝐲 𝐌𝐚𝐲 𝐇. 𝐂𝐨𝐫𝐭𝐚𝐝𝐨
Photos by 𝐅𝐚𝐝𝐳𝐫𝐢𝐧𝐚 𝐉. 𝐍𝐚𝐬𝐬𝐚𝐥
Publication Material by 𝐂𝐡𝐚𝐫𝐦 𝐋𝐨𝐯𝐞𝐥𝐲 𝐏𝐫𝐢𝐧𝐜𝐞𝐬𝐬 𝐌. 𝐑𝐞𝐛𝐨𝐥𝐥𝐨𝐬, Synapse Publication

𝑭𝒆𝒂𝒕𝒖𝒓𝒆 | 𝐍𝐮𝐫𝐬𝐢𝐧𝐠 𝐖𝐞𝐞𝐤 2026 𝐖𝐫𝐚𝐩𝐬 𝐔𝐩 𝐚𝐬 𝐒𝐭𝐮𝐝𝐞𝐧𝐭 𝐍𝐮𝐫𝐬𝐞𝐬 𝐚𝐧𝐝 𝐅𝐚𝐜𝐮𝐥𝐭𝐲 𝐂𝐞𝐥𝐞𝐛𝐫𝐚𝐭𝐞 𝐆𝐫𝐚𝐧𝐝 𝐅𝐢𝐧𝐚𝐥𝐞On October 22, 2026, the Astori...
30/10/2026

𝑭𝒆𝒂𝒕𝒖𝒓𝒆 | 𝐍𝐮𝐫𝐬𝐢𝐧𝐠 𝐖𝐞𝐞𝐤 2026 𝐖𝐫𝐚𝐩𝐬 𝐔𝐩 𝐚𝐬 𝐒𝐭𝐮𝐝𝐞𝐧𝐭 𝐍𝐮𝐫𝐬𝐞𝐬 𝐚𝐧𝐝 𝐅𝐚𝐜𝐮𝐥𝐭𝐲 𝐂𝐞𝐥𝐞𝐛𝐫𝐚𝐭𝐞 𝐆𝐫𝐚𝐧𝐝 𝐅𝐢𝐧𝐚𝐥𝐞

On October 22, 2026, the Astoria Regency shone as student nurses and clinical instructors gathered to celebrate Nursing Night 2026, the grand finale of Nursing Week.

A beautiful afternoon commenced with a spectacular procession, followed by an invocation, and an impactful speech from our Student Nurses Association (SNA) President Yesha Ann A. Abdula. "True leadership is not just about leading, but also about serving others", Abdula quoted.

The program continued with a formal ceremony where the new SNA Officers performed their oath taking. Faculty members and clinical instructors also surprised the audience with their own delightful intermission performance, reinforcing the close-knit, supportive bond between educators and students.

Adding a touch of elegance to the afternoon, participants were also honored with special awards such as the "Face of the Night" and "Best in Rampa", highlighting grace, confidence, and style from both faculty and student attendees.

The memorable afternoon wrapped up with a massive photo session where everyone captured shared memories of Nursing Week. The celebration ended on a high note with an energetic Rave Party, leaving everyone with lasting memories of pride and unity.

Written by 𝐌𝐨𝐡𝐚𝐦𝐦𝐚𝐝 𝐘𝐨𝐮𝐬𝐢𝐞𝐟 𝐉. 𝐊𝐚𝐥𝐚𝐤𝐚𝐲𝐚𝐧
Photos by 𝐅𝐚𝐝𝐳𝐫𝐢𝐧𝐚 𝐉. 𝐍𝐚𝐬𝐬𝐚𝐥, 𝐀𝐝𝐳𝐬𝐡𝐚𝐢𝐦𝐚 𝐉. 𝐘𝐧𝐚𝐰𝐚𝐭, and 𝐊𝐡𝐚𝐥𝐞𝐞𝐧 𝐖. 𝐏𝐮𝐲𝐨𝐧𝐠
Publication material by 𝐍𝐮𝐫𝐬𝐡𝐚𝐩𝐢𝐤𝐚 𝐍. 𝐋𝐚𝐧𝐠𝐩𝐚𝐝, Synapse Publication

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