14/12/2024
Spending a week in the company of a Wire Strung Irish harp!
As a harp maker I don't often interact with wire strung Irish harps or the Historical Harp society. This week was an exception.
A 19th Century wire strung harp arrived in for re-stringing. This was based on the revolutionary John Egan harp from the 1820's.This was no doubt a copy, with a 5 stave back , as opposed to Egan's which had a round back.
What intrigued me most was the soundboard , made of spruce.I had the impression that all wire-strung harps had a soundboard of willow or similar. It transpires that Egan designed this model for the tradition bearers of the ancient way of playing.
Having no expertise in this area, I contacted Simon Chadwick in Armagh and arranged a visit.
A day that will live long in my memory. Simon had never come across this copy of Egan before and was delighted to measure it and assess. We both concluded that this harp would not take the tension a fully tuned harp, but the owner was interested in getting it strung up properly to restore the integrity of the harp visually.
Because of woodworm and structural repairs we couldn't hear the sound of this masterpiece.
However, Sylvia Crawford was also there and has just received a new copy of the Egan 37.
Sylvia has also spent years trying to re learn the ancient methodology for playing the wire strung harp. She kindly played for me on her new wire strung harp, and I have to say the sound and experience was breath taking. The resonance, harmonics and overtones penetrated straight through my body. Previously I had heard wire strung harps, but the spruce soundboard is the game changer , in terms of projection and sound scape.
Simon took a series of photos which I post here, with his permission.